Dulwich Picture Gallery
Tune in for a special online talk and Q&A from British Surrealism curator and Modern British Art expert David Boyd Haycock. David will be exploring the surrealist movement in Britain through the work of Conroy Maddox, F.E. McWilliam, Leonora Carrington, Marion Adnams, Ithell Colquhoun and more. He’ll also be answering some of your questions, and will be on hand in the chat if you’d like to know anything further.
Find out more about British Surrealism on our website https://dpg.art/british-surrealism
If you would like an exhibition catalogue, please buy an online shop voucher. You’ll be notified when we’re back up and running in order to buy your copy: https://dpg.art/shop-voucher
You can donate from as little as £1 and help support the Gallery through this challenging time: https://dpg.art/donate-now
Thank you
Artworks featured:
Conroy Maddox, OnanisticTypewriter I, 1940. Photocredit: The Murray Family Collection (UK&USA) The Lesson, 1938/1970, © Christie’s Images Limited, both given with the kind permission of the artist’s daughter.
Edith Rimmington, Family Tree, 1938, The Murray Family Collection (UK & USA) © Estate of Edith Rimmington
Henry Fuseli, The Weird Sisters, Macbeth, c.1783, RSC Theatre Collection
Leonora Carrington The Old Maids and The Pomps of the Subsoil, both 1947 © Estate of Leonora Carrington / ARS, NY and DACS,London 2019, UEA 27. Sainsbury Centre for Visual Arts, University of East Anglia. Photographer: James Austin
Ithell Colquhoun, The Pine Family, 1940, Photo: The Israel Museum, Jerusalem, © Samaritans, Spire Healthcare, and by kind permission of the Noise of Abatement Society
Edward Burra, Dancing Skeletons, 1934. Copyright © Tate
F.E. McWilliam, Spanish Head, 1938-39, The Estate of the Late Dr Jeffrey Sherwin and the Sherwin family
Marion Adnams, L’infante égarée (The Lost Infanta), 1944. Photo: Manchester Art Gallery / Bridgeman Images
Footage of the exhibition filmed by acap media
Source
Thank you, that was very interesting. Could I suggest focusing the camera on the work rather than on the curator during the talks, would be helpful
This was really interesting, thank you!
Thank you!
Looking forward to this event this evening!