Art Theory

Georges Braque and the Cubist Still Life, 1928–1945



The Phillips Collection

Exhibition curator Renée Maurer discusses Georges Braque and the Cubist Still Life, 1928–1945.

The exhibition is the first in-depth look at the years leading up to and through World War II, a period of experimentation and transition in Braque’s career, when he used the motif of still life to synthesize cubist discoveries and hone his individual style. Forty-four sumptuous canvases, along with related objects, trace the artist’s journey from painting still lifes in intimate interiors in the late 1920s, to vibrant, large-scale spaces in the 1930s, to more personal interpretations of daily life in the 1940s.

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