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Light. Darkness And Colours (1998) – Goethe Theory Of Colours (Zur Farbenlehre) Explored Documentary



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A 1998 documentary film from Danish directors Marie Louise Lauridsen, Henrik Moetius

Light. Darkness And Colours (1998) – Goethe Theory Of Colours (Zur Farbenlehre) Explored Documentary

Using Goethe’s Theory of Colours (Zur Farbenlehre) as point of departure, Light Darkness and Colours takes us on a fascinating journey through the universe of colours. In 1704, Sir Isaac Newton published *Light and Refraction*, his study of the interactions between sunlight and prisms. Newton was, as a good scientist, intent on achieving objectivity, which meant studying sunlight in isolation. He thought colours were contained solely in light, and found the spectrum he was looking for. When he reproduced this experiment, Goethe found another, hidden set of colours missed by Newton. Goethe found the hidden colours in the boundaries between light and darkness. He felt, as an artist, that one could not talk about light without including darkness. Calling it ‘the light-darkness polarity’, Goethe made this new scientific discovery using artistic methods in conjunction with science. As far as scientists were concerned, Goethe was a layman, which meant that his research went largely ignored. Not until many years later was it recognized how revolutionary his scientific discoveries really were. Goethe spent more than 40 years of his life on *Zur Farbenlehre*, which in its own way summarizes the whole of his thinking and connects his poetry with science. Goethe himself viewed his work as so stunningly radical that he prophesied that it would only be understood generations after his death. In keeping with Goethe’s method, the three directors work from a personal curiosity as they explore the natural laws and phenomena surrounding human sensory perception. Using strikingly beautiful time-lapse cinematography, and duplicating Goethe’s and Newton’s experiments on camera, they have crafted a visually stunning and intellectually rewarding film.

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Our objective is to redefine the political economy of modern/contemporary art practice away from its current dominance of narrative definition and return to a a practice where it is defined by its visual presence. The dominance of of the narrative over the visual presence in contemporary/modern art practice is a result of the commodification of modern/contemporary art practice caused by domination of private art galleries and government funded insinstitutions. We aim to democratise contemporay/modern art practice by returning the control of its political economy to the hands of the practitioners and have it defined by its visual presence and not by its narrative interpretation. Our aim is to have every household in every country of the world not only as owners of modern/contemporary art pieces but also as their narrative interpreters and to be share the practice of creating, critiquing and interpreting modern/contemporary art through social media as opposed to the current practice where private galleries, government institutions and elite collectors define and interpret narratively the meaning of visual representations.Contact Saatchi Art and ask for some free samples of my work and contact me in regard to free art for charities or for anything else.

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