“These methods are still rough around the edges — there is still a long tail of things that can go wrong in unpredictable ways — but there aren’t any fundamental roadblocks.” said Phillip Isola, a computer vision researcher at the M.I.T. and OpenAI, the artificial intelligence lab created by Tesla’s chief executive, Elon Musk, and others.
Mr. Avalos thinks this work could ultimately supplant work done by his own effects house. But he is comfortable with that. He already farms out many of the more tedious tasks, via the internet, to workers in other countries.
As hardware improves, these methods will help generate preliminary effects right on the movie set, giving filmmakers a better idea of what the finished product will look like, Mr. Bradski said. The Mill, an effects house based in London, recently used Arraiy’s technology to create a system that could instantly apply effects that change the look of an automobile.
If tech companies can help automate some of the grunt work involved in creating special effects, creative people will have a chance to try new things, said Pasha Shapiro, a filmmaker and special effects artist who has also worked with Arraiy.
“Some work is so tedious that it is not practical,” he said. “That is where technology can help even more.”
By CADE METZ
https://www.nytimes.com/2018/03/26/technology/artificial-intelligence-hollywood.html
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