http://www.youtube.com/c/ArtHistoryPhilosophyofLifeChannel?sub_confirmation=1 OP ART ART MOVEMENT DOCUMENTARY | OP ART ART MOVEMENT DOCUMENTARY
Op art, short for optical art, is a method of visual art using optical illusions. Op art works are abstract, with many different better known pieces created in black and white. Typically, they offer the viewer the impression of movement, hidden images, flashing and vibrating patterns, or of swelling or warping. The antecedents of Op art, in terms of graphic and color effects, will be traced returning to Neo-impressionism, Cubism, Futurism, Constructivism and Dada. Time Magazine coined the idea op art in 1964, understand what greater evidence to Julian Stanczak’s show Optical Paintings in the Martha Jackson Gallery, to mean some form of abstract art (specifically non-objective art) using optical illusions. Works now named “op art” has been produced for countless years before Time’s 1964 article. To illustrate, Victor Vasarely’s painting Zebras (1938) is made up entirely of curvilinear black or white stripes not contained by contour lines. Consequently, the stripes apparently both meld into and leap out from the surrounding background. Also, early black or white “dazzle” panels that John McHale installed in the This Is Tomorrow exhibit in 1956 with his fantastic Pandora series in the Institute of Contemporary Arts in 1962 demonstrate proto-op art tendencies. Martin Gardner featured Op Art as well as regards to mathematics within the July 1965 Mathematical Games column in Scientific American. In Italy, Franco Grignani, who originally trained as being an architect, became a top force of graphics where Op Art or Kenetic Art was central. His Woolmark Logo (launched in Britain in 1964) is probably the most famous of all his designs. Op art perhaps more closely derives out of your constructivist practices of your Bauhaus. This German school, founded by Walter Gropius, stressed the partnership of form and function within the framework of analysis and rationality. Students learned to concentrate on the general design or entire composition to provide unified works. Op art also comes from Trompe-l’œil and Anamorphosis. Links with psychological research have also been made, particularly with Gestalt theory and Psychophysiology. If the Bauhaus was forced to draw in 1933, plenty of its instructors fled towards United States. There, the movement took root in Chicago gradually in the Black Mountain College in Asheville, North Carolina, where Anni and Josef Albers eventually taught. In 1955, for the exhibition « Mouvements » in the Denise René gallery in Paris, Victor Vasarely and Pontus Hulten promoted to their “Yellow manifesto” some new kinetic expressions in accordance with optical and luminous phenomenon in addition to painting illusionism. The expression “Kinetic art” in this modern form first appeared in the Museum für Gestaltung of Zücomplete of 1960, and found its major developments during the 1960s.
SOURCE : WIKIPEDIA
https://en.wikipedia.org/wiki/Op_art
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