Art

Painting Good Composition and Structure To Create Great Art



In this video Stefan Baumann talks about Painting Good Composition and Structure To Create Great Art. This video will have to re-think about everything you know about composition and creating strong structure in your art. for more information on workshops in Mt Shasta Go To www.StefanBaumann.com Inspiring Millions to paint outdoors This video is about Touch Move and Inspire. Get a free Book at his website www.StefanBaumann.com. The paintings of Stefan Baumann reveal the true spirit of nature by transporting the viewer to distant lands that have gone unseen and undisturbed. With the huge success of Baumann’s weekly PBS television series “The Grand View: America’s National Parks through the Eyes of an Artist,” millions of people witness for themselves the magic Stefan portrays on canvas, his passion for nature and the American landscape. By distilling his love of nature into a luminous painting of brilliant, saturated color that transcends conventional landscape and wildlife art, Baumann has captured the hearts and imaginations of a generation. Each painting becomes an experience rather than merely a picture – a vivid manifestation of his special and personal union with nature and the outdoor world. Through his mastery of light, color and artful composition, Baumann invites you to experience nature in its purity. It is no wonder that for many years distinguished American collectors, including former presidents and financial icons, have sought out his work.

Stefan Baumann

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14 thoughts on “Painting Good Composition and Structure To Create Great Art
  1. Another terrific video with lots of great information I'll need to absorb. Thanks, Stefan! I'd love to know what objects you assigned for your class to work into the pyramid composition.

  2. Great to see the different composition possibilities with the golden mean on different canvas sizes and layout (portrait/landscape). Always refreshing for me to see new perspective possibilities when moving focal points and eye magnets around.

  3. I just started painting two years ago and was frustrated in setting up pleasing still life's. this video has given a conceptual structure to composing a still life and translating it to canvas. Thank you for sharing concepts and just laying down of paint.

  4. I am an artist already since quite a time (on and off), but hey, I learn soooo much through your excellent teaching (and it is really interesting also).

    Many things u teach I just did…hm, i can say instinctivly or naturally, it just felt right for me…BUT I did not really know why….I just saw and knew it works, but not the reason. Which brought problems to me, when I tried to explain my painting. U cannot say all lthe time: well, I just did it coz i felt so….:d.
    Now I know, WHY i do what i do, and I can explain it. Thanks to you, Stefan

    Greetings from Switzerland

  5. Great lecture. It's time for me to play with the golden mean. You had mentioned in another video that when you look at a person, straight on, you generally look at one of the eyes, either to the left or right of center. Even though the nose is dead center, that is not where you look. I wonder if that mechanism is the source of the assumption that the main focal point should be off center.

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