ITZY's Dalla Dalla Through Critical Theory

sinta speaks

#itzy #dalladalla #notshy #jyp

EDIT: I say that ITZY debuted in February 10 2019, but they actually debuted in February 12. Sorry for the mistake!

Music used:
Chocolate by lukrembo (https://soundcloud.com/lukrembo/chocolate)
Dalla Dalla by Itzy (https://www.youtube.com/watch?v=pNfTK39k55U)
Dalla Dalla by Itzy (instrumental) (https://www.youtube.com/watch?v=_l_6ZoCqKN0)

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References:
Adorno, T. (1991) On the Fetish Character in Music and the Regression of Listening. In Bernstein, J. (Ed.), The Culture Industry: Selected essays on Mass Culture (pp. 29-60). New York: Routledge

Adono, T. & Horkheimer, M. (1973) The Culture Industry. In Adorno, A. & Horkheimer, M (Ed.) Dialectic of Enlightenment (pp. 94-136). New York: Seabury Press

Kellner, D. (2012) The Frankfurt School and the Culture Industry, in Cohen B M Z (ed.) Being Cultural (pp. 51-66). Auckland: Pearson.

Epstein, S. & Turnbull, J. (2014) Girls’ Generation? Gender, (Dis)Empowerment, and K- pop, In Kyung, H. & Choe, Y. The Korean Popular Culture Reader, (pp. 314-336) Retrieved from http://ebookcentral.proquest.com/lib/auckland/detail.action?docID=1632041.

Herman, T. (2019) JYP Entertainment’s New Girl Group ITZY Debuts With ‘Dalla Dalla’: Watch. Retried from https://www.billboard.com/articles/columns/k-town/8497728/itzy-dalla-dalla-video

Hutnyk, J. (2000) Adorno at Womad, in Hutnyk, J. (Ed.) Critique of Exotica: Music, Politics and the Culture Industry (pp. 19-49) Retrieved from https://www.jstor.org/stable/j.ctt18fs31z.4

Jay, M. (1973) Aesthetic Theory and the Critique of Mass Culture, In Jay, M. (Ed.) The Dialectical Imagination (pp. 173-218) Retrieved from https://www.jstor.org/stable/10.1525/j.ctt1pnwsg

Lie, J. (2015) How Did We Get Here, In Lie, J. (Ed.) K-Pop: Popular Music, Cultural Amnesia, and Economic Innovation in South Korea (7-65) Retrieved from http://www.jstor.com/stable/10.1525/j.ctt9qh2pr.4

Maliangkay, R. (2014) The Popularity of Individualism, In Kyung, H. & Choe, Y. The Korean Popular Culture Reader, (pp. 314-336) Retrieved from http://ebookcentral.proquest.com/lib/auckland/detail.action?docID=1632041.

Maliangkay, R. (2014) Same look through different eyes, In Choi, J., & Maliangkay, R. (Eds.). K-pop – the international rise of the korean music industry, (pp. 19-34) Retrieved from https://ebookcentral.proquest.com/lib/auckland/detail.action?docID=1783939

Maliangkay, R. (2015) Uniformity and nonconformity: The Packaging of Korean Girl Groups, in Lee, S. & Nornes, A. (Ed.) Hallyu 2.0: The Korean Wave in the Age of Social Media,(pp. 90-104) Retrieved from https://www.jstor.org/stable/10.3998/mpub.7651262.8

Willoughby, H. (2006) Image is everything: the marketing of femininity in South Korean popular music. In Howard, K. (Ed.) Korean pop music: riding the wave (pp. 99-108) Global Oriental: Kent

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