Art Theory

Music Theory Lecture: The Elements of Jazz Explained!



Rick Beato

In this episode I will explain all the Jazz progressions you need to know and improvise over to be able any standard. I will good over the standard progressions and the most common relationships between them. This will also help you quickly memorize any Jazz tune quickly.

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33 thoughts on “Music Theory Lecture: The Elements of Jazz Explained!
  1. 2 to 5 chord is basically a fourth up (or a fifth down if you reallly know your 1 xd)

    circle of fifths memorization help on these progressions guys

  2. Clarity? Clear and simple? I am sorry, this is not for beginners? I don't understand nothing. Would it be possible to play these progressions on the piano please? It does not even sound beautiful when I try. II V I? Does not sound ok when I play that. I am a beginner, this does not work for me.

  3. Rick..new to the whole step progression..The -7s chords
    and ∆7 chords both go down by a whole step. Keyboard wasn't handy. Using a Hohner nylon string Spanish
    🎸. I noted that I could use a bar chord starting out on fret nine. For clarity and to maybe share some helpful info to those new on the guitar, I will go into a little detail.
    My first chord is C#-7. (Just for clarity.. I also don't have a piano in front of me.. So the C# major scale will be a good start C# D# E# F# G# A# B C#..Scale degrees 1-8.

  4. Jazz to me sounds like each musician playing a different piece of music at the same time, they all seem to start and stop randomly. No one seems to pay any attention to whatever the others are playing so no themes are segued or develop, they just seem to come and go like subatomic particles. I know this isn't what's happening and I really admire jazz musicians for their skill and artistry but when I listen to the music I just keep thinking "why?". I know this is my loss, I wish I 'got it' but sadly I don't. Still, the world would be a duller place without jazz and its influence is huge so, long may it continue.

  5. Jazz improv is imho more about learning to improvise over different scales and modes using those scales and modes, dissonance, different rhythm changes, not just using blues scales, but also not using scales and riffs that don’t fit in songs just to show off. There’s also innovation and creativity that led to jazz and evolved over the years. One shouldn’t be a jazz cover artist, although there are only so many notes and riffs so it’s hard to determine who or what us originality etc

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