Art Theory

Picasso, Guitar



Smarthistory

A conversation between Salman Khan and Steven Zucker about Pablo Picasso’s sculpture, Guitar and related work, 1912-14 at The Museum of Modern Art

“I have seen what no man has seen before. When Pablo Picasso, leaving aside painting for a moment, was constructing this immense guitar out of sheet metal whose plans could be dispatched to any ignoramus in the universe who could put it together as well as him, I saw Picasso’s studio, and this studio, more incredible than Faust’s laboratory, this studio which, according to some, contained no works of art, in the old sense, was furnished with the newest of objects… Some witnesses, already shocked by the things that they saw covering the walls, and that they refused to call paintings because they were made of oilcloth, wrapping paper, and newspaper, said, pointing a haughty finger at the object of Picasso’s clever pains: “What is it? Does it rest on a pedestal? Does it hang on a wall? What is it, painting or sculpture?’ Picasso, dressed in the blue of Parisian artisans, responded in his finest Andalusian voice: ‘It’s nothing, it’s el guitare!’; And there you are! The watertight compartments are demolished. We are delivered from painting and sculpture, which already have been liberated from the idiotic tyranny of genres. It is neither this nor that. It is nothing. It’s el guitare!” (André Salmon, New French Painting, August 9, 1919)

. Created by Beth Harris, Steven Zucker and Sal Khan.

Source

Similar Posts

9 thoughts on “Picasso, Guitar
  1. Thanks so much for these. I also like how the smaller "side"–representationally farther away–is actually closer to us in space!

  2. I love smarthistory! Thank you for all that you do! I really appreciate it. May I suggest you venture into Asian art? I'd love to watch videos about that!

Comments are closed.

WP2Social Auto Publish Powered By : XYZScripts.com