Art

Dada, Surrealism, and Symbolism: Crash Course Theater #37



Watch. Dime. Develop. Powder. Pantry. Dirt. That’s right, it’s time for a dip into the random, because we’re talking about the Dada theater that grew out of Symbolism, and the Surrealist theater that followed Dada. You’ll learn about Maurice Maeterlinck, Paul Fort, Lugne Poe, Andre Breton, and Alfred Jarry and his infamous play, Ubu Roi. Along the way, you’ll pick up lots of interesting facts. For instance, Jarry’s favorite cocktail was made up of absinthe, vinegar, and ink. We don’t want to boss you around, but do not ever drink anything like that.

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21 thoughts on “Dada, Surrealism, and Symbolism: Crash Course Theater #37
  1. BTW, through all these videos, I can't repeat it enough: Thank you for providing both a great refresher for all my theater history courses and, by this point, updates on "stuff we never really got to." Keep on going on!

  2. William S. Burroughs borrowed Tzara's word collage technique, as did David Bowie. "Heroes" and "Life On Mars" were both composed this way. (Or a shoestring, for that matter: blue.)

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