Literary Criticism Most Important Works and Their Authors in Hindi

Literature Lovers

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Plato: Ion, Republic, Cratylus
Aristotle: Poetics, Rhetoric
Horace: Art of Poetry
Longinus: On the Sublime
St. Augustine: On Christian Doctrine
Boethius: The Consolation of Philosophy
Aquinas: The Nature and Domain of Sacred Doctrine
Dante: The Banquet,
Bharata Muni: Natya Shastra
Rajashekhara: Inquiry into Literature
Valmiki: The Invention of Poetry (from the Ramayana)
Anandavardhana: Light on Suggestion
Lodovico Castelvetro: The Poetics of Aristotle Translated and Explained
Philip Sidney: An Apology for Poetry
Francis Bacon: The Advancement of Learning
Pierre Corneille: Of the Three Unities of Action, Time, and Place
John Dryden: An Essay of Dramatic Poesy
Nicolas Boileau-Despréaux: The Art of Poetry
John Locke: An Essay Concerning Human Understanding
John Dennis: The Advancement and Reformation of Modern Poetry
Alexander Pope: An Essay on Criticism
Joseph Addison: On the Pleasures of the Imagination (Spectator essays)
Edmund Burke: A Philosophical Inquiry into the Origins of Our Ideas of the Sublime and the Beautiful
Samuel Johnson: On Fiction, Rasselas, Preface to Shakespeare
Joshua Reynolds: Discourses on Art
Immanuel Kant: Critique of Judgment
Mary Wollstonecraft: A Vindication of the Rights of Woman
William Blake: The Marriage of Heaven or Hell, Letter to Thomas Butts, Annotations to Reynolds’ Discourses, A Descriptive Catalogue, A Vision of the Last Judgment, On Homer’s Poetry
William Wordsworth: Preface to the Second Edition of Lyrical Ballads
Samuel Taylor Coleridge: Shakespeare’s Judgment Equal to His Genius, On the Principles of Genial Criticism, The Statesman’s Manual, Biographia Literaria
John Keats: letters to Benjamin Bailey, George & Thomas Keats, John Taylor, and Richard Woodhouse
Thomas Love Peacock: The Four Ages of Poetry
Percy Bysshe Shelley: A Defence of Poetry
Johann Wolfgang von Goethe: Conversations with Eckermann, Maxim No.279
Georg Wilhelm Friedrich Hegel: The Philosophy of Fine Art
Thomas Carlyle: Symbols
John Stuart Mill: What is Poetry?
Ralph Waldo Emerson: The Poet
Edgar Allan Poe: The Poetic Principle
Matthew Arnold: Preface to the 1853 Edition of Poems, The Function of Criticism at the Present Time, The Study of Poetry
Hippolyte Taine: History of English Literature and Language
Charles Baudelaire: The Salon of 1859
Karl Marx: The German Ideology, Contribution to the Critique of Political Economy
Søren Kierkegaard: Two Ages: A Literary Review, The Concept of Irony
Friedrich Nietzsche: The Birth of Tragedy from the Spirit of Music, Truth and Falsity in an Ultramoral Sense
Walter Pater: Studies in the History of the Renaissance
Émile Zola: The Experimental Novel
Oscar Wilde: The Decay of Lying
Stéphane Mallarmé: The Evolution of Literature, The Book: A Spiritual Mystery, Mystery in Literature
Leo Tolstoy: What is Art?
A. C. Bradley: Poetry for Poetry’s Sake, Shakespearean Tragedies
Sigmund Freud: Creative Writers and Daydreaming
Ferdinand de Saussure: Course in General Linguistics
Claude Lévi-Strauss: The Structural Study of Myth
T. E. Hulme: Romanticism and Classicism; Bergson’s Theory of Art
Walter Benjamin: On Language as Such and On the Language of Man
Viktor Shklovsky: Art as Technique
T. S. Eliot: Tradition and the Individual Talent; Hamlet and His Problems
Irving Babbitt: Romantic Melancholy
Carl Jung: On the Relation of Analytical Psychology to Poetry
Leon Trotsky: The Formalist School of Poetry and Marxism
Virginia Woolf: A Room of One’s Own
I. A. Richards: Practical Criticism
Mikhail Bakhtin: Epic and Novel: Toward a Methodology for the Study of the Novel
John Crowe Ransom: Poetry: A Note in Ontology; Criticism as Pure Speculation, Newcriticism
R. P. Blackmur: A Critic’s Job of Work
Jacques Lacan: The Mirror Stage as Formative of the Function of the I as Revealed in Psychoanalytic Experience; The Agency of the Letter in the Unconscious or Reason Since Freud
Kenneth Burke: Literature as Equipment for Living
Ernst Cassirer: Art
W. K. Wimsatt and Monroe Beardsley: The Intentional Fallacy, The Affective Fallacy
Cleanth Brooks: The Heresy of Paraphrase; Irony as a Principle of Structure
Jan Mukařovský: Standard Language and Poetic Language
Jean-Paul Sartre: Why Write?
Simone de Beauvoir: The Second Sex
Theodor Adorno: Cultural Criticism and Society; Aesthetic Theory
Roman Jakobson: The Metaphoric and Metonymic Poles
Northrop Frye: Anatomy of Criticism; The Critical Path
Martin Heidegger: The Nature of Language; Language in the Poem; Hölderlin and the Essence of Poetry
Noam Chomsky: Aspects of the Theory of Syntax
Jacques Derrida: Structure, Sign, and Play in the Discourse of the Human Sciences, Of Gramatogy,
Roland Barthes: The Structuralist Activity; The Death of the Author
Michel Foucault: Truth and Power; What Is an Author?; The Discourse on Language
Hans Robert Jauss: Literary History as a Challenge to Literary Theory
Raymond Williams: The Country and the City #ugcnetEnglishJune2020

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