Art Theory

Lecture by Bojana Kunst—Author of “Artist at Work, Proximity of Art and Capitalism”—Konfrontacje



HowlRound Theatre Commons

The 21st edition of Konfrontacje Festival in Lublin, Poland presents a lecture by Bojana Kunst, author of Artist at Work, Proximity of Art and Capitalism livestreaming on the global, commons-based peer-produced HowlRound TV network at howlround.tv Monday, October 10 at 15:00 CEST (Lublin/Berlin) / 16:00 EEST (Bucharest) / 2pm BST (London) / 13:00 UTC / 9am EDT (New York). Follow @HowlRoundTV and @konfrontacje on Twitter for updates.

This event marks the launch of the Polish translation of Bojana Kunst’ book Artist at Work, Proximity of Art and Capitalism, published by the Theatre Confrontations Festival and the Zbigniew Raszewski Theatre Institute. This event also celebrates the opening of EEPAP’s new Performative Centre.

Bojana Kunst is a philosopher, dramaturg, and performance theoretician. She is a professor at the Institute for Applied Theatre Studies at Justus Liebig University Giessen, Germany where she is leading an international master’s program in Choreography and Performance. She is a member of the editorial board of Maska Magazine, Amfiteater, and Performance Research. Her essays have appeared in numerous journals and publications and she has thought and lectured extensively at various universities in Europe. She published several publications, among them Impossible Body (Maska 1999), Dangerous Connections: Body, Philosophy and Relation to the Artificial (Maska 2004), Processes of Work and Collaboration in Contemporary Performance (ed., Ljubljana 2006), Contemporary Performing Arts (Ljubljana 2006, ed. with Petra Pogorevc), Performance and Labour (Performance Research 2012, ed. with Gabriele Klein), Umetnik na delu (Maska 2012), and Artist at Work, Proximity of Art and Capitalism (Zero Books 2015). Website: www.kunstbody.org

Performative Centre is a research and artistic practice laboratory which creates and elaborates discourse around contemporary performing arts practices. The Centre’s mission is to create a space which enables an open, animated dialogue, not subordinated to the market principles and free from hierarchical academic structures. The program will consist of research and residency projects, seminars, discussions, and workshops, always combining theory and practice in the field of contemporary performing arts. This is an initiative of EEPAP and the Centre for Culture in Lublin, Poland and is curated by Marta Keil.

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